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PRIZM
PRIZM
PRIZM
CHOYAHEON
THRESIOT
THRESIOT
HAN'S GALLERY
HAN'S GALLERY
HAN'S GALLERY
MOOKHEON
MOOKHEON
PRIZM
PRIZM
PRIZM
BE YUN JAE
BE YUN JAE
BE YUN JAE
PRIZM
BE YUN JAE
ALBINO
ALBINO
ALBINO
ALBINO
KOOSSINO PROJECT
KOOSSINO PROJECT
PRIZM
PRIZM
PRIZM
PRIZM
PRIZM
PRIZM
KOOSSINO
Colorless and primary colors are separated from the discrimination of colors through the wavelength of light, whose origin is color.
Though in relative and opposite positions, this, a sense of finding its source as a space that can be integrated into one, is the architectural subject that I constantly crave, and it is the vernacular.
Where the worn nail is studded is not important, especially if it is an empty wall. But the sensitivity of light that exposes the nail, and the value of the margin that creates the contour of the shadow are the architectural infinite qualities I am dealing with now, and the unlimited value that I must continually abandon myself to.
In the every life where rays of light keep coming alive and disappearing, awakening the value of existence of the worn nail, what is my true inherence within the paradigm of architecture? I am still asking myself
kooseungmin_koossino
PROJECT IN HOME
KOOSSINO PROJECT
VITZ
ALBINO
TOMTO
LUTEUS
SALLIMBOOKS
NORANG TOWER
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